What is the relationship between painting and architecture?

When Michelangelo is mentioned as an art master of architecture, people must first think of paintings such as genesis and the last judgment.

Picasso’s reclining woman reading, oil on canvas, 130.2 × 196.2cm, 1960 it can be seen that Cubism gave birth to modernist architecture to some extent.

He also has a more well-known name in the construction industry – Le Corbusier.

The two do not seem to intersect, but in fact they are inextricably linked.

Still life filled with space by Edward gennere, oil on canvas, 60.3 × 73cm, 1924-1923, Jean nere published towards new architecture, preached that modernism is a geometric spirit, and put forward the famous saying that “house is a living machine” which has influenced countless future generations; In 1928, he designed the “Savoy villa”, which is concise and transparent, and attaches importance to the function of the building.

Soon, disappointed with the gradually subjective and arbitrary art expression in the school, he left and created purism.

This experience also changed the artist’s architectural path.

Peter’s Basilica in the Vatican, Michelangelo’s “the Piet à”, marble sculpture, height 175cm, 1498-1499, located in St.

The leader of modernist architecture has never underestimated the importance of painting to his career.

Still inspired by Cubism, Frank Gehry, a pioneer architect of deconstruction, created architecture just like drawing “abstract painting”, breaking the Convention in material application and structural expression.

After removing decorations, the architectural space becomes free and flowing.

Its grand scale, far-reaching significance and gorgeous decoration make it have the status of “returning from the five mountains without looking at the mountains” in church architecture.

Peter’s Church in the Vatican.


The young Charles É douard Jeanneret Gris, introduced by his friends, met Cubist artists such as Picasso and Juan Gris, and briefly joined cubism.

Not only that, people continue to see the figure of painting art from later architectural works, which proves that Corbusier’s way of living together is not unique.

In 1928, even though Jean nere had set up a school in the field of painting and gained a lot, he resolutely invested in the construction industry.

In this process, painting has an incomparable impact on architecture.

Palazzo Farnese in Rome, the love of the gods, frescoes, 1597-1608, Palazzo Farnese, brings time back to modern times.

Compared with the luxurious and cumbersome contemporary buildings, the almost pure white Savoy villa shows pure and minimalist Aesthetics…

Le Corbusier’s bull III, in 1953, easel painting is a two-dimensional art, while architecture is a three-dimensional art.

He said: “I get architectural inspiration through painting.” Architecture is a three-dimensional painting.

The murals and sculptures of Michelangelo, Raphael and many other artists are still preserved inside the church.

What is the relationship between painting and architecture? How do architecture draw materials from painting? Today, fashion bazaar art takes you to know.

This rationality brought him a new architectural career.

Edward gennery, nature Morte, oil on canvas, 54 × 81cm, 1921, Edward gennare’s nature morteaux nombreux objets, oil on canvas, 1923, in gennare’s Purism, sensibility and personal fantasy were prohibited and decorative elements were abandoned.

Michelangelo has made great contributions in the field of painting and sculpture, and his talent in the field of architecture has been ignored by most people.

Peter’s church, in fact, The Roman architect Marcus Vitruvius Pollio explained in the tenth book of architecture in the first century that in addition to being solid as the basic condition, architecture should be practical and beautiful.

Contrary to the symmetry and balance pursued by classical architecture, disorder and centerlessness are synonymous with Gary..

Moreover, the Farnese palace in Rome, where the mural the love of the gods is located, was also designed by a group of architects including Michelangelo; Still Rome, the portapia was also created by Michelangelo…

Michelangelo, Sistine chapelceiling, mural, 4000 × 1400cm, 1508-1512, Michelangelo, the last judgment (partial), mural, 1370 × 1220cm, 1534-1541 » Michelangelo participated in the design of St.

Wire Ring Clutch

The treatment of architectural facade is more concise.

For example, the Guggenheim Museum in Bilbao designed by him seems to be composed of several irregular metal pieces.

This sentence emphasizes the dual meaning of Architecture: functional nature is necessary, and the visual effect can not be underestimated.

His works rely more on geometry, and the composition strives for simplicity – just like worshipping “machinery”.

His architectural works also show his love for geometry.


Related Post