Xiaoyin Architecture is the pioneer and practitioner of the theory of image architecture, and the pioneer representative of the school of image architecture.
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The abstract geometry of the word “small” forms a building block, which has a strong visual symbol memory at the communication level, and can be read, tasted and remembered.
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Small is small, small is big; Small is also big, and big is also small.
Kui KUI believes that “small” is a relative definition, depending on the different references.
Focus on the integration and exploration of the modernity and localization of Chinese architecture, and create a spiritual field that belongs to and transcends the local.
Starting from the regional culture, natural science and architectural purpose, Xiaoyin Architecture first imagines the overall architectural artistic conception, abstractly establishes the architectural image, and takes it as the carrier of the core architectural spirit and architectural thought.
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Xiaoyin Architecture adheres to the thinking method of “giving an image with meaning and seeing the meaning with image”, poetry creation+oriental philosophy.
The seemingly simple signs use rigorous mathematical logic and geometric proportions to express the rigorous and meticulous characteristics of the industry.
Architectural design needs a high degree of combination of sensibility and rationality.
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The balance of design is rooted in the relationship between traditional culture, modern technology, social economy and responsibility, and strives to become the communicator and creator of Chinese culture and civilization.
For example, the planet is small in the universe, the building is small in the planet, and the ant is small in the building; At the same time, “small” is the spirit and attitude.
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The core idea is to create a new multi-dimensional space experience and create a poetic space environment with emotion and vitality.
