Architectural archives · pay homage to the special era and special record of 2020


The value of dialogue has become more valuable in such an era of “isolation and division”

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We are also more determined that we should continue to link Chinese architects with dialogue, present real and unique individuals, and try to unfold a slice of the times

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Impromptu collision, a moment’s pause, a sudden knowing smile, the story is inspired in a moving moment

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As for the earliest origin, the key turning point, the question at the moment and the confused and firm value pursuit of architecture

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About the connection path from self to architecture, the interaction between individual and times

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From dialogue to the presentation of words, from continuous Retrospection and reflection, the story is constructed into a complete face

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Among them, every architect’s story is “our story”

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After graduation, he gave up his hometown’s “iron rice bowl” and went to Shenzhen, which is full of unknown and challenges

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From the frustration of the first bidding scheme to the participation in the “Water Cube” project, he grew from a green and unsophisticated newcomer to a mature and independent architect, from a project leader to a company manager, and then to the creation of his own design company, Shang Hong’s “architectural diary” It records the growth and transformation of an architect in independent thinking and independent choice

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“Every decision in life will affect the way forward, and a choice will lead you to another turning point

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I’m glad I made the choice

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Most of the time, architects are also taking the initiative to choose their own path Liu Heng believes that the value of space lies in its relationship with people, who perceive the existence of space and thus perceive their own existence

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Therefore, she is more inclined to a way of “breaking up the whole into parts”, breaking up the large and “whole” space or site into small and “zero” space or multiple combinations with just the right relationship with people

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To dissolve the large-scale building into special flexible details, these flexible points are the connection between the space changes constructed by architects and people’s feelings

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“A building is actually a city

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While a city has its own personality, it can also contain some diversity and complexity

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People can get different experiences in it

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I prefer such a kind of architecture, which is not so dazzling in appearance, but can have new discoveries and new experiences in this space every day, which will bring another life to the space you create, that is, the life of time

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” When he was engaged in postdoctoral research under the guidance of Mr

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Wu Liangyong, Yang Yuzhen was deeply influenced by Mr

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Wu’s concept of “integrated research”, and also obtained a relatively relaxed and free research environment, involving in many fields

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Later, he often said to his students: “a person’s knowledge structure should be like a nail, with a wide face and a sharp head, so that he can have a force surface to press the nail into the object.” This kind of speculation has been throughout his academic and teaching, as well as architectural practice

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“The profundity and outward intersection and integration of professional fields are like two aspects of a coin

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Only with a broader vision can we advance in a specific direction.” Practice, review and traceability are the three parts and normalization of Zhao Jingxin’s work, and this dialogue also starts from these three dimensions

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He often thinks about art and architecture side by side

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In his opinion, “when we enter a building, how can we combine art with daily life and architecture, and how to combine language and context well through design to make a complete expression? This is the problem that architects should solve

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Between art and culture, architecture, as a carrier, should maintain its own temperature and characteristics, which we call cultural sense

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A building with a sense of culture is related to time and people’s participation

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” As the chairman of jundi design, Hu Jinsong thinks: “whether it’s government managers, developers or designers, they should work together for a sustainable and stable urban development

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To weigh the relationship among the three, we should not only be a reliable partner, but also form a basic concept of “co-development” with them

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This is not only a relationship between the upper and lower levels and between Party A and Party B, but also a “companion” relationship in the whole process of integration, high efficiency and overall planning

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” This dialogue focuses on the growth and exploration of a design enterprise in the past 20 years

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Chu Dongzhu believes that the first step to realize the existence of architecture is to integrate architecture into the development process of the times and even history, and properly handle the relationship between people and space in different times

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Therefore, architecture must evolve internally to produce variability, and get through the urgent requirements of the professional core and the needs of the times

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With the further development of the city, the complexity and relevance of Chinese architecture will continue to improve in the future, which will bring many challenges and opportunities to Chinese architects

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“The integration of infrastructure and architecture is imperative, which is not only a great challenge for Chinese architects, but also a difficult opportunity for other countries

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In the past, foreign architects have undertaken a large number of important projects and landmarks in Chinese cities, but the best answers to many special problems in China still need the in-depth research and empathic understanding of Chinese architects

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” Architectural design is often in a state of self game and self-criticism

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Some people once described sun Shufan as “80% serious and 20% improper”

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Although he played games and balanced among various stakeholders every day, he still had a little wild in his heart

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This kind of “wild” also became his part of self thinking and innovation in architectural design

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Commercial buildings and urban renewal projects need to find a balanced fulcrum and innovation in the complex rules and restrictions

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“Commercial building, to achieve a closed-loop economic behavior, architects, like a lever, need to find the commercial fulcrum of the site, and play a certain balance role in it, and then consider to realize the breakthrough and innovation in the architectural form.” Most of the bridge projects built in modern China are purely the expression of engineering aesthetics

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They focus more on the trafficability and safety of vehicles and other means of transportation, rarely integrate art aesthetics into them, and ignore the expression of urban spirit and the writing of humanistic spirit by bridges

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Next believes that bridge is not only an externalized means of transportation, but also an emotional link internalized in the depth of people’s growth and historical context, hoping to build a dialogue between people and people, people and cities

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As far as Li Jing is concerned, the process of architectural design is also a process of multiple identity transformation, in which he will put himself in the perspective of a third party and separate himself into several identities at any time to understand the needs of all aspects

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He is neither the user nor the builder, so that he can not be bound and think from multiple perspectives

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For example, through in-depth participation to understand the needs of the residents, when considering the scheme, we can become a calm and incomplete spectator as far as possible, and better implant the personal feelings and imagination of the spectator, and integrate with other factors to build a better urban space

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“As designers, we need to integrate many of these resources, and through the early thinking of the relationship between the culture involved, the relevant resources of the place and the crowd, we often start from the self emotion, use design to establish a relationship, and finally present the state of communication in a simple way, so as to present the state of people.” The difference of architecture stems from the difference of dialogue way and habit between architect and architecture

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Wen Zixian’s unique design inspiration lies in “things”

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A tree, a stone, a bamboo and a book can all be his inspiration.

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