The first Xiangxi intangible cultural heritage workstation | daga Grand View Building


In October 2020, the owner’s team I Yanshan, Li Yue, Guo Chen and Liu Xuehang will design / construct daga grand view architecture

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It is reserved Real elements and historical features of historical buildings we searched for local masters familiar with traditional crafts to carefully repair the buildings and transform them into restaurants and guest rooms

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Click the blue words above to pay attention to us ~ the first Xiangxi intangible cultural heritage workstation | daga grand view building Yuling building 2021-08-28 source: best design bestdesign if there is any copyright problem, please contact to delete the Tiangong residence in the ancient city of Ganzhou, which was originally a place for the inheritance practice of local carpentry to worship Tiangong Luban, The house design that was abandoned before the transformation is handsome • extract the elements of red lanterns and place three red glass boxes in the site as a connection to explain the unique inheritance and innovation

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The reconstruction design and silk repair construction strictly abide by the principle of repairing the old as the old, and retain the traces of the original history to the greatest extent, but at the same time hope to reflect the times and functionality more

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For the Chinese people, red is not only the “national color”, but also a cultural totem and spirit of the Chinese people

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52, Dongmen Road, Ganzhou ancient city, Jishou City, Xiangxi Prefecture, Hunan Province With a total area of 1677 square meters, the project will be completed from September 2019 to January 2020

. Scaffolding Walk Boards

At the invitation of capital group and Xiangxi Prefecture Bureau of culture, tourism, radio, film and television, Daguan architecture carried out the transformation design of Tiangong residence The original deserted buildings are renovated and implanted with dynamic modern design symbols, and finally transformed into an exhibition activity space that retains the characteristics of traditional bucket wood structure and has innovative significance

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The original buildings of Tiangong residence before transformation are bucket wood structure, which is in disrepair for a long time, and the ground is overgrown with weeds, Most window frames have been deformed, but the original architectural style still maintains wooden walls, wooden floors, bluestone slabs The tile roof reflects the characteristics of local rich ethnic buildings

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The ancient city of Ganzhou by the Wanrong river has a long history and is known as “the first of the four ancient towns in Western Hunan”

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Today, the ancient city of Ganzhou is not only the cultural window of Western Hunan, but also the gathering of the intangible cultural heritage of Western Hunan 24 national intangible cultural heritages are gathered here

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The addition of red glass box also represents inheritance and innovation

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The door panels and sandwich railings have been removed, and the rammed earth brick wall has collapsed due to rainwater

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It is decorated with red transparent glass box, The original building breaks the closed barrier and brings more possibilities to the spaces with different attributes

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The main creator of the project is Ren Xiaowei

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The plan of guest room art workshop before and after the transformation of restaurant project name I is the owner of the first Western Hunan intangible cultural heritage workstation project – the project address of the first group – is located at No

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Therefore, it continues the only bright element in the site – red lantern, and embeds the red glass box into the first red glass box bridge Red has a profound meaning in oriental culture

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The old and new coexist and merge naturally

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It represents peace, happiness, wealth, longevity, enthusiasm and prosperity

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The second red glass box podium, the third red glass box door bucket restaurant and the building at the end of the guest room courtyard in the intangible cultural exchange and exhibition area at the other end of the bridge are severely damaged

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The design team I Chen Chiyang, Yan Ruiqi, Yu Xiaoyu and Gou Yali photography I Yan Ruiqi and Chen Chiyang

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