In less than a year, the resort has received as many as 1000 tourists every day.
Hoonraika is designed by lamlam architect and phuritatchonprathin in cooperation.
Through the wall brick block as the extension frame, a rectangular channel is opened at the of the front wall to allow the wind with the smell of rice fields to enter.
▸ facing the wheat field side ▸ facing the pond side, the interior of the room is designed with floor to ceiling windows and holes in the ceiling, which can well move the beautiful natural scenery into the room.
A new model of Modern Rural Revitalization.
The original intention of architectural design is a quiet, cool and natural resort.
It is simple, comfortable and natural, but full of details in design and layout.
Inspired by the field soil, it is in sharp contrast to the natural green of paddy field.
And always creating new experiences for people.
A large floor to ceiling window is set on the side facing the rice field to ensure that customers can enjoy the wonderful rice field landscape unhindered.
Oh, poetic life in the countryside.
The inspiration comes from the plow marks in the field.
Drink in the green rice fields and enjoy the summer breeze.
The material of the wall is bricks coated with orange powder paint.
The material of the mirror makes it well hidden in the endless green.
▸ the uneven plow marks on the wall, and the design of the cafe is also unique.
Despite the epidemic crisis, the scarecrow is still welcomed by the majority of visitors.
“Scarecrow” is located between 13 Lai green rice fields.
Backstage reply “design theory” on the day, you will push a design story for 365 days and 365 classics, which will be updated only once a day.
This building with a bright orange appearance is called hoonraika, which means “Scarecrow”, because it is a bright color in the vast rice fields, but its function is not to drive away birds, But as a resort and cafe, it welcomes tourists.
There is also a semi private rest area outside, allowing tourists to achieve zero distance contact with nature.
Walking along the outdoor bamboo path into the depth of the rice field, you can encounter the rice field sky reflection device designed by the team here.
The selection of plants in the lane echoes with the architectural color, forming a sharp contrast with the green rice field, like a path paved with flame.
“The scarecrow is one of the symbols of the field.
The low mirror device is hidden in nature.
The client is a local resident and the place is the heritage of her grandmother.
Hoonraika is a metaphor for what already exists in the field.
In addition, a variety of outdoor furniture designs also add color to the site.
A high orange wall is set at the entrance.
The accommodation space is located at the back of the site and adopts the architectural form of book pages.
▸ a small pavilion that can provide sunshine bath ▸ 360 degrees without dead corners ▸ integrate into the natural relaxation net bed ▸ feel the charm of the wind in the rice field together with the curtain.
Before that, in order to be closer to the color of soil, the team also tried the color of dust mixed with cement.
The interior of the cafe adopts transparent design, and the chandelier design also echoes the color theme, just like the seeds falling from the ears of rice.
It tries to integrate into its surroundings, but it is different.” The architect explained the design concept.
If you want to get closer to nature, the scenery outside is more charming than that inside.
The client hopes to develop the place into a new landmark building and make the ancestral property glow with new vitality.
It became a community outside the city and brought prosperity.
The end of the bamboo path is a good place to be alone.
It stands quietly in the rice field and shows different scenery at different times.
One side faces the rice field and the other side is connected with the lotus pond.
An independent wall is still used on one side of the entrance, and the material adopts ventilated hollow structure to ensure that customers can feel the cool breeze in the field.
At the corner, a toilet space is enclosed by three walls, and the plane opening gives way to the growth of trees, so that the building and plants share a vertical space.
The fine lines on the facade increase the texture of the wall, which was manually completed by the team and the residents of pengshiluo.
The building “Scarecrow” stands quietly in the rice field of pengshiluo-.
A solitary tree and vast rice fields make people feel as if they are at the end of the world.
We think of the building as a scarecrow.
